Animating on the Go: So you want to shoot a live stop-motion

While a lot of animation is done sitting down either in a dedicated studio space or at home, there are also times, especially for stop motion animators, that you might have to step out into the physical world to capture raw footage or animate on location. Such was the case with animation and Animation Chair and seasoned film festival veteran Matthew Maloney and motion media specialist and professor Christina Maloney of Savannah of College and Art and Design-Atlanta. (Their other beautifully crafted stop motion animation “The Anchorite” premiered at Cannes in 2009.) While in theory, this may seem as simple as grabbing a camera and running outside to start shooting, the physical world deals with weather conditions, unexpected passerby reactions, and uncontrollable variables. This past winter break, they were in Hong Kong with their puppets shooting live in the mountains, on the beach, the metro of Kowloon, and on the streets in the bustling crowd of passerby for their new animation Loon. With this, they came up with some tips for those that might be interested not just in stop motion but perhaps even live action sequences that requires shooting on the streets. 1. Secure Your Equipment Not just stop motion pieces or props are probe to damage or being stolen but expensive equipment used for the shoot such as cameras, laptop, tripod are susceptible during a mobile shoot. While shooting on the street, the Maloneys created a laptop cage by repurposing an old shoe rack he bought for around $3 and locked it to the ground and then locked the tripod to it. Now it’s safer from being stolen or being bumped into during...