Wage Fixing in Animation

The Case of Wage Fixing in the Animation Industry and its Implications Introduction by the Needy Animator Personally, this topic has been of big interest to me as an artist, especially with how the outcome of this case could really determine the standards of the animation industry and how artists are treated. As we dig deeper into the Antitrust Law case and wage fixing in animation, entertainment lawyer Lee Morin sheds light into the hot topic of the ongoing case with insights to how this could affect the direction of the animation industry. While this series might be longer than most, it is very relevant that we as artist follow closely as a community. I believe that it is important to foster awareness and self protection for our industry as a whole so that the career path of an artist is a livable one where we can be passionate about what we do without sacrificing our livelihoods. We are most grateful to Lee for putting so much time and energy to do this in-depth research for us! Because of the length of this article and content that might be hard to digest, this article has been divided into 4 sections with leading key point for each.   In re Animation Workers Antitrust Litigation by Lee Morin, Esq.   SECTION 1: OVERVIEW OF THE ANTITRUST LAW CASE Antitrust Law has shaped the entertainment industries since the 1940s. It is the reason why performance rights organizations like ASCAP and BMI do not collect royalties from United States theaters(1)Alden–Rochelle, Inc. v. ASCAP, 80 F.Supp. 888, 894–96 (S.D.N.Y. 1948). on behalf of songwriters and publishers, and why...